They are in atop to Assemini (Cagliari) in 1947.
To tell my career, is a pod? Like one fibber Sardinian to happy conclusion. Grown in a rural society which it was then the asseminese life, sin from small when I accompanied my father trader of ortofrutticoli products through the countries of the Sardinia, I have begun to admire and to appreciate the shapes of the log and roots l evocate in the foci of the twisted rivers or from the twenty, to master times that come us from France, other times from the able Levant of giving plastic and improbable shapes to the plants that friend of our island often seems s? Inchinino to the shattering force but. Plants that to times assume animal semblance and to human times. Once procurator a small knife and, fascinated from much spontaneous beauty, I began the first jobs. Later on I began to having counts to you with several Sardinian intagliatori masters who m?insegnarono the antic secrets of a world since then from disowned me.
L'intaglio becomes for me true and just a ritual. I began to forge exemplary of the seen Sardinian fauna with careful eye and that pizzicato of creativity that m?ispirava my fantasy. The gouges began to furrow the chestnut tree of the cassapanche and the furniture’s that same I constructed in my small carpenter's shop. Or I created of the sculptures respecting the traditions and at times telling the wonderful nature that has always inebriate me: of the wild boars, of the muffling, and birds that poplin our island, without moreover to omit the flora, the underbrush, the lent? Ischio extols from the poets and Sardinian singers to you income I feel a true son of the Sardinia.
I have exposed to my furniture’s and sculptures all over the world. From 15 years they have entered to make part also dell?ente I.S.O.L.A. that discloses my jobs all over the world collecting wide consent of public.